With Burgues, you have a piece of “the most skillful penman the world has ever known,” at your service.īurgues received important awards such as a Certificate of Excellence TDC2 2008 and a Certificate of Excellence at the Bienal Tipos Latinos 2008. One of the wonders of the computer age is the ability to visually conjure up the past, serving both the present and the future. In the end, I hope Burgues Script will serve you well when a flourished word or sentence is required for a design project. Similar free fonts and alternative for Burgues Script - MissFajardose-Regular, Bradstone-Parker Script Limited Free Version, Estrela Fulguria. Such blinding talent from over a hundred years ago.īurgues is the Spanish word for Bourgeois. When I think of Madarasz producing a flourished calligraphic logotype in a few seconds, and try to reconcile that with the timelines of my or my colleagues’ work in identity and packaging design, the mind reels. I can only imagine what steady nerves and discipline Madarasz must have had to be able to produce fully flourished and sublimely connected words and sentences on a whim. It seems that the extremely high contrast of the forms, coupled with the required flow and connectivity of such lettering, will always be hard work for any visual artist to produce, even with the aide of a powerful machine. Madarasz’s method of penmanship was fascinating and challenging to translate into the strict, mathematically oriented language of the computer. The past holds as many surprises as the future. Surprisingly, and fortunately for me, this did not happen. I also thought that, like with most other scripts, the process would regularize itself after a while and be reduced to a mechanical habit. All of this has been tied together with OpenType and tested thoroughly within today’s standard design and desktop publishing software.Īfter working with digital scripts for so long, at one point I thought that Burgues Script would become a bit of a chore to complete. To this end, many ligatures and swashes were made, as well as full flourished sets of letters for use at the beginnings or endings of words and sentences. I did have to change many of the letters in order to be able to produce digital calligraphy that can flow flexibly and offered the user a variety of options, while maintaining its attractive appearance. These two references were the cornerstone for the concept I was trying to work with. Jones’s Lessons in Advanced Engraver’s Script Penmanship by L. The two main sources for Burgues were the calligraphy examples shown in Zaner Bloser’s The Secret of the Skill of Madarasz: His Philosophy and Penmanship Masterpieces, and C. I hope you, visual poet, find my persistence justified in this case. And occasionally, the poet gives in to the persistence. Once in a while, the assistant persists on what the subject of the poem will be. My work consists of letters drawn to fit together, that become an element of someone’s visual poetry. If I was an actual poet, my words would be about things I desire but cannot attain, objects of utter beauty that make me wallow in humility, or people of enormous talent who look down at me from the clouds of genius.īut I don’t write poems. I use the word ‘ode’ in a colloquially ambitious manner. His talent has caused some people to call him “the most skillful penman the world has ever known.” It irks me every time I look at it.Īnyway, see what I am getting at? The use of a particular face should be appropriate and relevant, rather than simply because the designer likes it.Burgues Script is an ode to the late 19th century American calligrapher Louis Madarasz, whose legendary pen has inspired schools of penmanship for over 100 years. The cover was done in-house by the publisher and sadly they used Gill Sans, which, although beautiful (and definitely one of my staple fonts) it is about as quintessentially English as you can get. All adds to evoking the right feel for the book. Sometimes that requires knowledge and experience and sometimes, research.įor example, not that long ago I did a book about American railroad journeys, so I spent some time researching typefaces that were produced by American Type Founders from the time of the heyday of railroad development in the US. That said, any typeface you choose should be based on the job at hand and the audience you are communicating to. Also, the more you know and appreciate, you will develop your own preferences that will all go towards developing a personal style. I’d say, the more you study type and the history of type, the more obvious which the ‘big hitters’ are.
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